Our Theatre and Performance BA (Hons) programme will train you to be an industry professional with the ability to work across different areas of theatre and the performing arts. You’ll be immersed in a range of creative disciplines, including performing, directing, writing, dramaturgy and technical areas of theatre.
Our teaching team is composed of industry professionals and the programme includes regular sessions with innovative guests who will share their expertise with you. This will allow you to make valuable contacts and learn from the experiences of some of the most exciting theatre-makers the city has to offer. You’ll also have many opportunities to showcase your work and create original performances. Get a first-hand experience of our 2020 graduate cohort's theatre show, Taboo: A Festival of Faux Pas, which was live streamed to adapt to the lockdown period. You can also read about a graduate's experience of studying in the lockdown in this Evening Standard article.
Our Theatre and Performance BA is ranked the best in the country for overall student satisfaction (National Student Survey 2020). This course has received a 100% overall student satisfaction score in the National Student Survey for the second year running. It also received 100% for the teaching on the course (National Student Survey 2020).
Looking for a course that'll prepare you for life as a leader in theatre and the performing arts? Our Theatre and Performance BA (Hons) does just that. We emphasise learning by doing, which means you’ll not only gain comprehensive knowledge of theatre production from conception to performance, but also create and showcase your own performances.
We will work with you to create original performances from your very first year, with a number of opportunities to share your work. By Year 3, once you have gained enough knowledge, skills and confidence, you’ll create and perform an original piece that you have made at one of London’s arts institutions or theatres. This will involve a group project, where you write, direct, perform and even market your own show – equipping you with practical experience of creating theatre from all aspects.
Although the programme includes significant training in acting, the goal is to provide you with knowledge of all major areas of the industry, from writing and directing to design and stage management. The performance-specific classes include subjects such as acting, voice, movement, ideas in theatre and much more. This holistic approach is designed to help you to find yourself as an artist.
The course is taught by active theatre practitioners who bring their industry experience to the classroom. Your lecturers come from varied and specialised backgrounds in theatre and performance, including artists who have worked in London’s West End, including Tate Modern, Royal National Theatre and Roundhouse and many other venues around the world. Their diverse experience and approaches to performance will empower you to examine the way you think about performance and help you find your own artistic direction.
In addition to the University's own teaching staff you’ll also learn from practitioners based at a number of different companies. In previous years our students have learned from practitioners from the National Theatre, Royal Court, Cirque du Soleil and other international companies. They've also had numerous classes and talks with artists from Complicité – one of the country’s most celebrated theatre ensembles.
Over the years we have built a strong community of staff and students, allowing for seamless collaboration with your peers. We have a diverse range of students on the course who offer differing artistic perspectives and enable exploration of different themes and ideas. You’ll also be involved in decision-making about the course programme and become an active participant in your lessons.
The University has excellent refurbished studio facilities.
The course has a Facebook page with news and events from alumni, students and staff.
There are no exams during this course. Assessment is conducted via a combination of workshops, performances, productions, discussions, presentations, journals/portfolios and essays.
Self-assessment and reflection are key factors in the process of learning and are considered throughout assessment.
In addition to the University's standard entry requirements, you should have:
You will be required to attend an interview workshop day as part of the application process.
If you don't have traditional qualifications or can't meet the entry requirements for this undergraduate degree, you may still be able to gain entry by completing our Film and Television Production (including foundation year) BA (Hons) or Film and Television Studies (including foundation year) BA (Hons).
To study a degree at London Met, you must be able to demonstrate proficiency in the English language. If you require a Tier 4 student visa you may need to provide the results of a Secure English Language Test (SELT) such as Academic IELTS. For more information about English qualifications please see our English language requirements.
If you need (or wish) to improve your English before starting your degree, the University offers a Pre-sessional Academic English course to help you build your confidence and reach the level of English you require.
The modules listed below are for the academic year 2020/21 and represent the course modules at this time. Modules and module details (including, but not limited to, location and time) are subject to change over time.
Year 1 modules include:
Acting and Performance Skills 1 is a year-long module that places the performer at the centre of theatre making. It will encourage the student to investigate the role of the actor in theatre practice by introducing them to performance skills, techniques and processes. It will reference a variety of practitioners. It will allow students to apply these skills and techniques in practice and engage with workshop explorations and text based scene study.
This module aims to expose students to the skills and strategies necessary for devising performance. Students will engage in practical exploration and debate the content and forms of individual and group devised contemporary theatre practice. Through this they will work with improvisation techniques in the development of original interdisciplinary material towards the creation of ensemble devised performance. Students will negotiate and analyse the process of collaboration towards building knowledge and ability in working inclusively, discursively and proactively in diverse collaborative environments.
This is a year-long module that will introduce students of Theatre and Performance Practice to an aesthetics of theatre practice through a range of small scale projects drawing on the craft-based activities of puppet and object theatre. They will learn craft-based skills that will be utilised and developed throughout their course of study and investigate and experiment with the use of puppets and found objects in regard to narrative, character and the conceptual practice of the ‘untransformed’ object as a style and method of theatre making. Complemented with sound and lighting workshops this will enable students to understand the process and practice of craft-based activities in theatre practice.
Through a series of seminars and workshops students will be introduced to the potential of conveying ideas through puppetry and object theatre. They will be introduced to contemporary puppetry and object theatre through workshop and practical explorations of performance techniques and approaches; investigating and researching directors and theorists of puppetry and object theatre. Students will develop skills in sourcing, crafting, preparing, manipulating and animating puppets and objects in visual theatre practice and storytelling.
The work done on the module will be recorded, curated and evaluated in a Project and Evaluation Portfolio that will be handed in at the end of the module as part of the assessment process.
This module explores a cross-disciplinary approach to art and cultural studies, centred in the concept of performance as a starting point. It will introduce key questions in performance, art and film theories and relate these to a selection of historical and contemporary practitioners. The module is intended to provide students with an introductory range of critical and creative strategies, which is to inform their development across the whole course, both in BA Theatre and Performance Practice and in BA Theatre and Film.
Through a range of activities, this module will examine links and parallels between artistic disciplines and broader cultural questions and introduce students to an interdisciplinary approach to research, promoting links between theoretical and creative practices in the field. The module will provide an introductory range of critical strategies and knowledge that can be transferred to a variety of subjects across the programme and develop academic skills (e.g. essay writing, study skills, assignment presentation), applicable across the course.
Year 2 modules include:
This core module builds upon the foundational acting skills and techniques developed in Acting and Performance Skills 1.
Acting and Performance Skills 2 explores established methods for preparing and utilising texts, and advances students’ understanding of how to employ experience and imagination to achieve truthfulness in acting. They will also engage and experiment with systems of rehearsal that can be employed by actors to generate new texts, imagery, and other performance material. Greater awareness of individual and group identity on stage will be developed through ensemble work and experimentation with different performance styles. This learning will be supported and enhanced through training in voice and movement techniques. Students will also be taught to practice industry-specific norms of professional conduct and behaviour.
Developing from Performance, Art and Film Ideas 1, this module will investigate social and cultural issues that are both enacted and questioned by established texts (“texts” in the broader sense of the term, to include works in theatre, cinema and fine art). Informed by critical theory perspectives, a key emphasis here is on social interactions, as explored in the communication strategies between artwork and spectator, in the social function of a work, and in the political and ideological context depicted in this or embedded in its creation. The module will also establish a sociological study of performance institutions and their organisation within the professional industry.
The aims of this module are to evaluate the social context of performance, art and film, as it is consciously depicted by this or latently inherent to it; to refer to a variety of theoretical perspectives, ranging from critical theories, to sociological concepts, in the analysis of such practices. The learning strategy and indicative syllabus will promote innovative ways of exploring the subject in question, making use of inter-disciplinary, blended learning, field research and creative practice.
This is a 30 credit module that runs over one semester. The ethos and approaches explored in Autumn Semester in Acting and Performance Skills 2 are applied to the creation of a staged production, led by the assigned Director. The group functions as a company, each member taking on specific roles and working towards a collaborative result. The production will be rehearsed over 15 weeks one day a week (whole day). The production models a professional process and the final performance is open to the public. Whilst the Director leads the process, students will be expected to engage in every part of the process of making the piece of theatre.
The module will facilitate the exploration of systematic approaches to rehearsal in the creation of a mid-scale production, professional relations and dynamics within the context of a company and develop methods of working collaboratively under artistic direction.
This is a semester-long module for Level 5 students, which aims to provide practical, theoretical and contextual understanding of choreographed theatre and performance work. In studio-based seminar workshops students will engage with a range of theatre and dance movement-based approaches and applications for choreographing performance related to professional environments and their own ideas.
Students will work towards the creating their own choreography that will be directed into a public presentation by the module leader. Critical appraisal and analysis of this performance experiment will be performed on an ongoing basis through tasks and discussions.
This module introduces students to a range of physical and choreographic approaches and methodologies to creating performance work. They will gain knowledge of some of the significant choreographic strategies used by contemporary companies and artists who successfully choreograph movement-based performance work. Students will gain understanding and experience in effectively planning, leading, staging and performing a piece of choreographed performance work and collaborate with tutors, peers and a performance space in the creation and presentation of a choreographed performance event.
This module functions as an introduction to the skills and concepts behind directing both in theory and practice. Students will study key directing practitioners. They will be introduced to the role and function of the director, focusing on the relationship with the performer. They will study and apply basic directing techniques and explore and analyse the directorial process. Much of the work will be text-based, using a set text as a starting point.
Dramaturgy is a semester-long module designed to examine and explore the role of the dramaturg. Through the module there will be an attempt to define and analyse the practice of dramaturgy with regard to a wide range of performance practices ranging from traditional playwriting to post-dramatic forms. Dramaturgy encompasses a broad range of applications, providing support to an evolving artistic work at all stages of its development. Students will learn to provide constructive input from the earliest seed of an idea to the final documentation of a performed work.
This module aims to:
• explore the role and function of the dramaturg in the context of international performance: examining writers, directors and companies by studying their innovative (post) dramatic dramaturgies, scenographies, uses of text and acting and performance styles;
• discuss selected performance examples with reference to the disciplines utilised and the kinds of connections between them;
• investigate new forms in relation to the performances’ thematic and political concerns as well as the artistic context from which they emerge.
• undertake practical work in the role of dramaturg with a selected particular emphasis.
Workshop Leadership is a semester-long module introducing and exploring the design and delivery of theatre workshops. The module will address the academic stimuli of drama as a teaching medium and address the concerns and practical implications of professional and client group communication. Students will undertake a combination of exercises, workshops and presentations, working with peers and external groups, to experience and practice the delivery of workshops.
Where possible, students will benefit from the University’s links to professional theatrical groups as well as diverse community groups, extending engagement and participation beyond the usual boundaries of contemporary theatrical practice.
Year 3 modules include:
The Festival Showcase represents the student’s final piece of practical work, the equivalent of a dissertation, and will be a culmination of all the work undertaken on the course or through prior experience. It consists of a programme of short theatre, performance, and multimedia productions, which will be presented to a public audience in a professional context. It is designed to allow students to develop their chosen specialisms, both within creative and production roles.
The module will enable students to apply creative and production skills, and knowledge learned on the course, to complete a professional level work. It will utilise the ability to work both collaboratively and independently within a self-managed ‘festival’ setting and provide the opportunity for students to develop professional skills fostering their potential employability.
The module includes the following areas of work-related learning:
- creating and presenting original performances to an external audience;
- marketing, including the professional use of social media;
- box office and audience management;
- logistics of setting up a company;
- pitching work to producers and programmers;
- writing an agenda and keeping minutes of meetings;
- creating a timetable.
Performance Research & Development is a module designed to complement SM6P10 Festival Showcase. It enables students to undertake intensive research and development (R&D) projects leading to the sharing of two consecutive works-in-progress: draft performances presented for feedback to an invited audience. The notion of R&D is a vital aspect of the professional industry, increasingly required by funding bodies and an integral part of producing venues’ programmes. Students will work collaboratively, to tight deadlines, in accordance with the creative guidelines provided by the tutor. This will develop their ability to create rapidly within given briefs, encompassing such approaches as adapting existing dramatic texts and devising new material from stimuli. Students will engage self- and peer-evaluation skills throughout the module.
This is a 30 credit module that runs over a period of 15 weeks. Building on the skills and awarenesses developed through previous education and experience, this core module will join students from both strands and create an opportunity for an intensive collaboration. The work will be centred in the creation of a film project that tackles social issues within a local or global community.
Students will explore collaborative strategies across disciplines, centred in a film-based project and develop areas of interest and specialism within group collaborations; exploring creative ways in which to address local or global issues through the medium of film and collaborative practice.
This module allows students to explore in depth a theory, theory and practice or practice topic of their own choice, arising out of previous experience or their study at levels 4 and 5 (subject to supervisor approval). Their individual study is facilitated by a tutor assigned to the project according to subject specialism.
This module is mainly self-managed by the student with facilitation by a specialist in the chosen subject. Students’ individual work is supported by regular consultation and feedback from their tutor and peer-led workshops.
The project incorporates both formative and summative assessment. Students will present their project plan orally in a subject specific workshop and in written form to their project supervisor. The summative assessment consists of the actual project, either a written project or a film and/or performance project with outline, treatment and theoretical statement.
Directing 2 is a 15 credit module that advances previously acquired skills in Directing. It allows students the opportunity to explore their own directorial vision and apply skills learnt in practice. In this case directing refers to text based work. The practical work is placed within the context of critical theory, as previously explored in Performance, Art and Film Ideas 1 and 2.
This module will develop and apply directorial skills and facilitate the acquisition of new ones specifically related to production and organisation. It will give students the opportunity to apply skills and knowledges to a fully produced extract from a play text and provide them with the opportunity to imagine a vision for a production of a play. It will encourage students to pursue individual research into theatre practitioners and cultural theory in the context of their own directed extract, to examine critically the process of directing and to encourage self-evaluation. The final showing of work will test leadership, facilitation, imaginative and creative skills and inspire self-motivation and responsibility in the students.
This module will explore creative strategies in the application of the concepts of performativity and performance-as-research, beyond a strictly theatrical context. In doing so, it will promote multi-disciplinary crossovers, in particular between performance, visual and multimedia arts. A particular focus will be dedicated to the conceptual investigation of site and the creative adaptation and transformation of this.
The function and aesthetics of performance and site will be explored in their broadest significance, making use of concepts such as rituality, liminality, hybridity and contamination and relevant theoretical references in this respect. Studying the work of contemporary and historical practices in installation, site-specific and site-responsive art, students will develop new work to be presented and contextualised as part of a self-curated event. Such an event may be organised in collaboration with professional structures, both inside the University (e.g. The Facility: Centre for Creative Practice at London Met) and outside (galleries, art centres and collaborating practitioners). In this sense, the module will represent an opportunity to gain professional skills both in the artistic and academic development of new work, as well as in the documentation and dissemination of this.
The module aims to critically engage with the concept of performativity and performance-as-research, in light of a range of pertinent theoretical perspectives and apply such concepts both to live work and to installation art and recorded media. Study on the module will introduce students to key practices in the field of site-responsive art and installation, both contemporary and historical, and refer to these as stimuli for the creation of new work. The module will promote innovative crossovers between artistic disciplines, in particular performance, visual and digital media, and develop an understanding of the principles of arts curatorship and foster professional skills in the documentation, contextualisation and dissemination of new work.
This module aims to contextualise the content of the Theatre Practice degree towards professional application by introducing the fundamentals of business practice as applied to the leading of performance-based projects. During the module students will be introduced to planning strategies, financial management and fundraising and business models towards the creation of a project plan. The module addresses the social entrepreneurship movement and embraces technology in these business practices and has an emphasis on collaborative learning.
This module provides an introduction to the business aspects of successfully leading a theatre project or company and aims to acquaint students with the skills and understandings relevant to setting up a theatre/performance project or company and to explore and engage with a range of business models within the contemporary cultural industries environment. Students will be encouraged to apply methods and techniques that they have learned to review, consolidate, extend and apply their knowledge and understanding in initiating and carrying out projects. These projects will enable students to gain awareness of, and engagement with, technology and digital media in business practice in the arts.
This module is intended to develop skills in writing for theatre and performance and to consider the ways in which texts shift, enlarge, contract and transform once they are performed. It will combine analysis of existing written and performed texts with creative writing exercises to develop informed, critical, creative writers. Students will also view theatre and performance in London and consider the relationship between the text-as-written and the text-as-performance. The work will be firmly embedded in the contemporary theatre industry – drawing on links with new writing/live art venues in London. Students will develop a portfolio of work and a completed short script. This module will make links with Identity and Performance, Society and Performance and where possible Dramaturgy.
• To assist students in the development of tools necessary to undertake their own critically-informed script making for performance
• To explore the role of the writer within the collaborative nature of theatre-making
• To encourage students to connect their creative lives to global and local and personal events.
• To encourage students to reflect critically on the implications of theatrical appropriation, as it is practised by others and by themselves
• To encourage students to reflect critically on the relationship between texts and staging of text
• To continue to explore the relationship between performance, identity and society.
“At the heart of the course were its staff. They were professionals who brought their industry specialisms to the classroom, but were also mentors who nurtured and guided us, allowing individuality and creativity to flourish... It was informing, challenging, inspiring and always brilliantly fun.”
Graduate and actress Maimie McCoy about her experience on our former performing arts course:
"A huge amount of our performances were site-specific, which meant we could be more imaginative with our staging. My final third year project was staged in the courtyard. I think we probably had the best teachers in the country who specialised in this approach to theatre and dance. They were hugely encouraging of everyone’s experience and opinions and determined for us to shatter the way we thought about performance, especially as most of us had come from a more traditional background."
Read more on Maimie's profile page.
There is a focus on helping you develop professional skills throughout the course. As a graduate you could find yourself working in many exciting areas of theatre, including acting, directing, producing, community performance or theatre in education, theatre-making, arts policy making, arts administration or marketing.
Much of the course replicates working industry environments, which strengthens the careers education element of the course. Staff maintain strong links with the industry and use these to help students to access opportunities for internships and employment during and after the course. Modules in creative and cultural industries and business and marketing will give you the opportunity to learn the skills appropriate for self-management in the arts.
Please note, in addition to the tuition fee there may be additional costs for things such as equipment, materials, printing, textbooks, trips or professional body fees.
Additionally, there may be other activities that are not formally part of your course and not required to complete your course, but which you may find helpful (for example, optional field trips). The costs of these are additional to your tuition fee and the fees set out above and will be notified when the activity is being arranged.
You may be asked to pay for a Disclosure and Barring Service check in your third year.
Discover Uni is an official source of information about university and college courses across the UK. The widget below draws data from the corresponding course on the Discover Uni website, which is compiled from national surveys and data collected from universities and colleges. If a course is taught both full-time and part-time, information for each mode of study will be displayed here.
If you're a UK applicant wanting to study full-time starting in September, you must apply via UCAS unless otherwise specified. If you're an international applicant wanting to study full-time, you can choose to apply via UCAS or directly to the University.
If you're applying for part-time study, you should apply directly to the University. If you require a Student visa, please be aware that you will not be able to study as a part-time student at undergraduate level.
The University and Colleges Admissions Service (UCAS) accepts applications for full-time courses starting in September from one year before the start of the course. Our UCAS institution code is L68.
If you will be applying direct to the University you are advised to apply as early as possible as we will only be able to consider your application if there are places available on the course.To find out when teaching for this degree will begin, as well as welcome week and any induction activities, view our academic term dates.
Please select when you would like to start:
A new book by John Keefe and Knut Ove Arntzen suggests a new form of dialogue between work, authors and readers, and draws out threads that extend both into the past and future.
Dr Jane Turner discusses the process of creating Gog Magog, a new dance film, and how global events shifted its form and structure.
Inspired by ancient legends, this pioneering new film was developed through lockdown, and features a cast of dancers from around the world.
For the second year running, 100% of Theatre and Performance students agreed that they were satisfied with their course.
28-30 May 2020
Live stream theatre arts festival will tackle unspoken and challenging themes.
Senior lecturer Rishi Trikha worked on ‘Everything I See I Swallow’ and ‘The Chosen Haram’, which the Stage newspaper named among the best shows of 2019.
The exhibition, In Limbo, was designed by Jacek Ludwig Scarso and reflected on the meaning of waiting.
Jacek Scarso's new multimedia installation 'The Pecking Order' is a ‘playful and absurdist’ multimedia experience.
Christopher Holt to work on a new production of Charlotte Keatley’s My Mother Said I Never which features profoundly deaf cast and is 100% British Sign Language accessible.
High scores for overall satisfaction and quality of teaching on a number of London Met courses.
Theatre and Performance graduate Ashleigh Owen's comedy cabaret 'Hip Hip I'm Gay!' opens at the New Wimbledon Theatre on 21 June before embarking on a national tour.
15-18 May 2019
A feast of Theatre and Performance graduation work at the Cass Theatre Arts Festival 2019
8th-13th April 2019
Cass PhD student Chiara D'Anna presents one woman show at Tristan Bates Theatre.
Andrew Siddall is a maker and production designer who specialises in work directly engaging young people.