At the start of the year, the leaders of each studio present their studio's themes, position and approach to allow students to choose from a wide range of issues, methods of working and types of projects. The studios and units are presented to year two and three undergraduate students and to postgraduate architecture students between 26 September and 3 October 2016.
Dissertation Studios for Year 3 students are a unique development of cross-school enterprise, Culture, which looks at the history and theory of cultural ideas. This allows students from a range of disciplines to develop their dissertations under the supervision of an expert.
Our studios evolve year on year. You can see details of older studios in our studio archive.
Studio 1: Prospéct
Peter Marigold, Chris Emmett and Cathy Stack
The studio themes focus on a series of projects that are not necessarily related but have an attitude of making the best out of the situation that life has dumped on you.
Studio 4: Encrypt
Steph Amen, Karen Coughlan, James Hunting and Marta Jowska
Studio 4: Encrypt will challenge you to question, reimagine and reconfigure what you believe a design process to be.
Studio 1: Articulations of the City
Alex Bank and Sam Casswell
Studio 1: Articulations of the City will challenge you to leave your own architectural trace onto the city space.
Studio 2: The Image of Place
Jamie-Scott Baxter and Colin O’Sullivan
Studio 2: The Image of Place introduces you to filmmaking and photography skills that capture images of spaces within the city.
Studio 3: Extraordinary Everyday
Sandra Denicke-Polcher and Geraldine Holland
Studio 3 focuses on the impact that temporary and permanent structures have on the city, with a particular interest in public space.
Studio 4: The Shape of the In-between
Anna Ludwig, Rufus Willis with Richard Cottrell
Studio 4: The Shape of the In-between, focuses on the importance of public space in cities, with a focus on The Square and The Courtyard.
Studio 7: Raw Materials
Robert Barnes and Dr Bo Tang
Studio 7: The study of materials and light, in the context of London and Nepal, will form the basis of this year’s studio programme.
Studio 8: Manufacturing Landscape
William Haggard and Josh Carver
Studio 8: Manufacturing Landscape focuses on the exploration of large structures and the landscapes altered to accommodate them.
Studio 10: (not) Housing
Kieran Thomas Wardle and Owain Williams
Studio 10: (not) Housing will encourage you to build an architectural commentary on the housing crisis.
Studio 1: The Divided Selfie
Mel Brimfield and Dr Jonathan Whitehall
Studio 1: The Divided Selfie sets out to explore artistic practices that engage with identities, self-perceptions and the role of these in our virtual and lived lives.
Studio 2: The Black Box: Art, Apparatus and Not Knowing
Galia Kollectiv and Patrick Ward
Studio 2: The Black Box: Art, Apparatus and Not Knowing explores the implications that come with not knowing how our digital technology actually works.
Studio 3: Acts of Resistance
Dr Andrea Medjesi-Jones and Dr Michael Stubbs
Studio 3: Acts of Resistance tackles the issues that artists face in the language and communication of painting.
Studio 4: Things, Objects and Non-Objects
Rosemarie McGoldrick and Bob and Roberta Smith
Studio 4: Things, Objects and Non-Objects examines the relationship between the artist and the objects they make.
Studios 5: New Frontiers
Ania Dabrowska and Spencer Rowell
The studio raises questions about the representational and non-representational in photographic media, inviting students to explore issues, ideas, senses, stories, rumours, myths, facts, fictions, dreams or other concerns that matter to them and relate to the theme through approaches that test the possibilities and limits of photographic media today, from analogue traditions through digital and post-digital to any combination of cross media practices or actions.
Studios 6: Making it Real
Mick Williamson and Sue Andrews
In Studio 6: Making it Real, we emphasise the mapping out of the student’s own position within the medium, from the development of their conceptual and critical confidence and understanding of the medium, to exploring and mastering techniques. The emphasis will then shift to taking the work from the realm of the studio into the real world in preparation for graduation and subsequent launch of students’ professional or postgraduate journeys with further emphasis on professional practice.
Film and Animation
Studio 2: Utopian and Dystopian City Visions
Studio led by Mark Collington, Sandra Denicke, Geraldine Holland, Heidi Yeo, Simone Ten Hompel
Studio 2: Utopian & Dystopian City Visions is a cross-Disciplinary Studio encompassing animation, architecture and jewellery and silversmithing.
Studio 5: From Metanarrative to Poetic Narrative
Studio led by Mark Collington
Studio 5: From Metanarrative to Poetic Narrative will help you explore both traditional and more avant-garde approaches to narrative.
Studio 2: London Lost and Found
Kaye Newman, Laura Encinas and Beata Szwast
Studio 2: London Lost and Found identifies a cross-section of themes and current issues surrounding identity and the make-up of a local high street.
Studio 3: Something & Son
Andy Merritt, Paul Smyth and Simon Petty
Studio 3: Something & Son will inspire you to make your design dreams come to life by learning to occupy spaces and initiate projects.
Studio 1: Author: Reporter
Susanna Edwards, Emily Evans and Ricardo Eversley
Studio 1: Author: Reporter looks at the opposing roles of the image-maker.
Studio 2: Impression
Angharad Lewis (Grafik), Alistair Hall (We Made This) and Ricardo Eversley
Studio 2: Impression explores publishing within design practice, including exciting new developments with digital tools and media.
Studio 3: Dialogue
Ricardo Eversley and Sara Carneholm
Studio 3: Dialogue focuses on graphics, data, digital design, user experience, interaction, social media and content.
Professional Diploma in Architecture (RIBA part II)
Unit 1: Urban Gestalt – Origins of a Town
Professor Florian Beigel and Professor Philip Christou
Unit 1: Urban Gestalt – Origins of a Town will investigate the elements that give a town its urban form and essential spatial character.
Unit 4: Building Lab; Living with Man-made Natures
Andrew Grant, Elian Hirsch, Eva Diu and Jonas Lundberg
Unit 5: The Deep Block
Alex Ely, Michael Dillon, Adam Powell
The Deep Block will explore semi-public spaces through large-scale model making, city exploration by foot and making drawings of the architectural spaces you find.
Unit 6: Civic Assembly
Maurice Mitchell, Francesca Pont and Dr Bo Tang
Unit 6: Civic Assembly investigates the civic assemblies emerging around evolving city infrastructures, focusing on South London and Kathmandu Valley.
Unit 8: Midland Cities I – Leicester
Takero Shimazaki, Summer Islam and T-SA
Unit 8: Midland Cities I – Leicester will investigate recent urban development in the Midlands and propose alternative strategies of renewal.
Unit 10: An Architecture of Relationships IV, Landscapes of Power – Fragile Landscapes
Signy Svalastoga, Jonathan Cook and Edward Simpson
Unit 11: Cultural Infrastructure 2015-16: Art in Transit
David Hills, Alistair Blake, Roberta Marcaccio and Deborah Saunt
Unit 14: Miniature – worlds within worlds
Pierre d’Avoine and Colette Sheddick
Unit 14: Miniature – worlds within worlds introduces you to notions of myth and fabulation in the reinvention of the countryside.
Unit 15: Creative Industry
James Binning and Paloma Strelitz
Unit 15: Creative Industry examines the changing political and economic conditions in the city and its impact on cultural identity.
Studio 1: Another India
Studio 1: Another India will examine, reflect upon and critique the historic use of "exotic" motifs in design.
Studio 3: Music is the Weapon: Performance, Culture and the Music Industry
Studio 3: Music is the Weapon: Performance, Culture and the Music Industry is an exploration of race, gender, class and more in music.
Studio 4: What Not to Wear?
Studio 4: What Not to Wear? will investigate the roles that dress and fashion play in our workplaces.
Studio 5: Imperfect Theories
Studio 5: Imperfect Theories allows you to critically examine any work that can be seen as theory or presents an interesting relationship with theory.
Studio 6: Curating Contemporary Art: From the Wunderkammer to Installation art
Nico de Oliveira
Studio 6: Curating Contemporary Art examines the impact of curatorial practice on art.
Studio 7: Fashioning culture: clothing and the shaping of identity
Dr Lesley Stevenson
Studio 7: Fashioning culture will examine critically the links between fashion, clothing and identity.
Studio 8: Pleasure, Excess and Dirt
Studio 8 explores ideas of category, definition, identification and belonging through the examination of a series of objects and behaviours that appear to be in the wrong place instead of the right place.
Studio 9: The Continuing Lives of Objects
Studio 9: The Continuing Lives of Objects uses debates about change and preservation explore ideas within architecture.
Studio 10: Critical Theory and Critical Design. Artefacts, Images, Sites, Processes in Graphics and Illustration
Dipti Bhagat with Christopher Emmett
Studio 10 requires deep commitment and completion of critical theory and design for graphic design and illustration.
Studio 12: London Walking
Studio 12: London Walking looks at walking as a mode of creatively appropriating the city, with particular attention to our own city, London.
Studio 14: All in the best possible Taste
Dr John Cross
Studio 14: 'All in the best possible Taste' examines the historical influencers of taste, style and fashion.
Studio 15: Music, Technology and Ideas
Studio 15: Music, Technology and Ideas encourages you to explore how and why we make music, including its origin, relationship to technology and more.
Studio 16: Narrative and Storytelling
Studio 16: Narrative and Storytelling will see you produce storygraphs, storyboards and various forms of narrative analysis in the seminars.
Studio 17: Knowing Audiences
Studio 17: Knowing Audiences will encourage you to study an audience group using qualitative research methods in your investigations.
Studio 19: Material in Motion
Studio 19: Material in Motion will explore why an audience will put time, money and thought into acquiring an object.
Studio 20: Image ethics: Form, meaning and context
Dr Nick Haeffner
Studio 20: Image ethics: Form, meaning and context explores the aesthetics of the image and its role within fantasy, desire and social memory.
Studio 21: The Nonsensical Realm III
Studio 21: The Nonsensical Realm is a cross-disciplinary studio. This year it will engage with the idea of metaphor in art, architecture, design and music.
Studio 22: Meaningful work
Studio 22: Meaningful work explores the value of making and the idea of craft as meaningful work.
Studio 23: A Common Thread
Studio 23: A Common Thread examines the relationship between textiles and everyday life, including its design, trade, sustainability and more.