This is a top-up version of our Fine Art BA (Hons) degree. A top-up degree is the final year (Level 6) of an undergraduate degree course and is for those who have a foundation degree, Higher National Diploma or equivalent qualification, or those wishing to study the final year of their degree in London.
On this superb fine art degree you’ll be taught by internationally renowned artists in our state-of-the-art facilities, attend international events and gain all the skills and expertise you'll need to succeed as an artist.
London Met has been ranked fourth in the UK for fine art and photography in by The Guardian's university league tables.
In the most recent Destinations of Leavers from Higher Education (DLHE) survey, 100% of all 2017 Fine Art BA (Hons) graduates were in work or further study within six months.
At The Cass, you’ll be studying in a famous art school in one of the busiest contemporary art scenes in Europe. London is home to hundreds of art galleries and museums, art events and a range of art organisations and businesses.
On this exciting and challenging undergraduate degree, you'll be taught in cutting-edge studios by practising London artists who are passionate about art and teaching. Our staff include artists with an impressive track record of international shows such as Bob and Roberta Smith, Pil and Galia Kollectiv and Mel Brimfield. There’s also an extensive programme of lectures from guest artists.
Facilities include spacious art studios, the latest 3D printing and laser-cutting facilities, exhibition spaces and even a roof garden. You’ll also have access to state-of-the-art digital media, print, painting, photography, ceramics and sculpture workshops.
You’ll study alongside a diverse mix of ambitious and prolific fellow art students and will associate with architects, designers, musicians and film directors, providing a collaborative atmosphere that will stimulate your creativity.
With two huge all-student exhibitions taking place, as well as a major degree show every summer, you will have excellent opportunities to showcase your work.
As a final year student you will have the opportunity to explore a topic of your choice in your dissertation. Our dissertation students all belong to a themed dissertation studio that offers a supportive group context for planning and writing your dissertation, and specific academic tutoring about how to manage the project.
Assessment is through practical and written coursework. Practical coursework is developed in workshops and studios, while some written project development coursework is developed online. Coursework is marked in percentages according to a standard band of passing grades by a group of art examiners using clear, published assessment criteria.
You will also be involved in formative assessment during the year. This includes tutorials in which you will be given valuable verbal and written feedback on your art project proposals, works in progress and draft submissions, helping you to build on your individual strengths.
There are no examinations.
In addition to the University's standard entry requirements, you should have one of the following:
Suitable applicants living in the UK will be invited to a portfolio interview. Applicants living outside the UK will be required to submit a portfolio of work via email.
To study a degree at London Met, you must be able to demonstrate proficiency in the English language. If you require a Tier 4 student visa you may need to provide the results of a Secure English Language Test (SELT) such as Academic IELTS. For more information about English qualifications please see our English language requirements.
If you need (or wish) to improve your English before starting your degree, the University offers a Pre-sessional Academic English course to help you build your confidence and reach the level of English you require.
Your portfolio should be selective but have enough work to show the range of your interests and talents. We're interested in seeing how you develop a project from beginning to end, not only finished work.
If you are coming in person to your interview we strongly suggest bringing a physical portfolio of work.
Things to bring:
If you are submitting an online application, please follow these guidelines.
Things to include:
The modules listed below are for the academic year 2019/20 and represent the course modules at this time. Modules and module details (including, but not limited to, location and time) are subject to change over time.
Year 3 modules include:
Critical and Contextual Studies (CCS) Level 6 results in an independent dissertation. It builds on two years of undergraduate study or previous experience that critically engages students in the history and theory of their discipline, its extent and conventions, and its broader social and material context in culture and contemporary practice.
Students undertake an enquiry into a topic of their own choice and, based on this enquiry, develop a sustained critical study in support of their practice, building on techniques and knowledge developed in previous years and previous experience. This study demonstrates the student’s ability to thoroughly research a topic, use appropriate methods of investigation, and work in a methodical and organised way to develop a coherent argument. It affords a sophisticated instrument for interrogating, testing and presenting ideas, and encourages the student to deploy and develop a variety of skills to show how well they can conduct and present a critical investigation.
The module rewards criticality and innovation, and provides a platform for ambitious independent work. To this end, it offers individual supervision designed to support the student’s learning. The subject matter of the dissertation can be theoretical, technical, or historical. In terms of format, the dissertation may be envisaged in different ways and can include visual, technical or other non-written material which may form the subject of the enquiry and comprise an integral part of the whole.
The dissertation may be practice-based and include field-work and primary research in its methodology; or it might be academic and theoretical in its outlook and draw predominantly on secondary sources. Its form and approach can reflect a broad range of discipline-specific approaches based on discussion and agreement with the supervisor and/or course leader.
FA6P01 Major Project marks the summation of the programme of studies in four undergraduate courses or on previous experience. The project comprises a major piece of independent study, produced under supervision and guidance. The purpose of the major project is to demonstrate the application and integration of the skills and knowledge gained throughout the course.
The module requires the student to frame appropriate questions for their project, followed by a period of research and development, culminating in the submission of a final body of work using ideas, techniques and processes at the forefront of art or photography, determined by the scope and character of the initial aims and objectives of the project. The module will be supported by a series of project planning workshops. On this basis, the module will require the student to frame the project in contemporary terms and be able to justify in a presentation the methods employed in its execution, including the conceptual and practical aims of the project and its intended audience or reception.
The FA6P01 Major Project module is shared by, serves and sustains the Honours awards in the BA Fine Art, BA Fashion Photography, BA Painting and BA Photography courses and is delivered in a seamless and integral relationship with the work of other core modules in the level. Students are expected to reflect upon and present the complexity of critical and creative relationships between and across the body of work undertaken in Level 6, including in the Critical and Contextual Studies dissertation.
The module aims to allow students to show they have acquired coherent and detailed knowledge at the forefront of fine art or photography, able to deploy critical thinking with accuracy by developing and sharing the context for their project, and able to write a substantial statement about their project in clear terms that a non-specialist audience will understand.
By planning and communicating to peers the framing of appropriate questions, method of enquiry and context for their project in advance, one of this module’s objectives is to enable students to have the solid background and clear information to make decisions about and solve for themselves complex and unpredictable problems encountered in a project they have initiated and executed themselves.
The module also aims to enable students to demonstrate skills in public reflection on and evaluation of their reasons for coming to university, their professional development over their time before university, during their time in Higher Education and what they envisage for their career after they leave university, all via a presentation to a specialist audience - their peers. The module aims to allow students to show how they can manage project time professionally, and so give themselves plenty of time to evaluate, edit and finesse their project as a result.
The FA6010 Methods and Enquiry 2 module supports intensive research and development towards the realisation of a major art or photographic project in the parallel module FA6XXX. The module involves students in presenting a plan for a major art or photographic project; establishing method of enquiry; research and testing approach to practice and project management.
During the module, students test out working methods, clarify their intentions, and frame their project in a contemporary context. The module involves an extensive period of independent research practice and development, to be documented and reflected on at fixed intervals before a final evaluation.
The FA6010 Methods and Enquiry 2 module is shared by, serves and sustains the Honours awards in the BA Fine Art, BA Fashion Photography, BA Painting and BA Photography courses, delivered in a seamless and integral relationship with the work of other core modules in the level. Students are expected to reflect upon and represent the complexity of critical and creative relationships between and across the body of work undertaken in Level 6, including in the Critical and Contextual Studies dissertation.
The module aims to allow students to show they have acquired coherent and detailed knowledge at the forefront of art or photography, able to deploy critical thinking with accuracy by developing and sharing method of enquiry over the course of a major project.
By planning and communicating method of enquiry to peers in advance, one of this module’s objectives is to enable students to make decisions about and solve complex and unpredictable problems encountered in a project they have initiated and executed themselves.
The module also aims to enable students to demonstrate skills in reflection on and evaluation of concepts used in method of enquiry and judgements made over materials and techniques in project, via a public dialogue with a specialist audience - their peers.
FA6006 Professional Practice 2: Fine Art is a subject-specific module supporting students to further develop their professional and academic skills, including their practical and conceptual understanding of the codes, conventions and issues associated with curatorial display. Students are expected to synthesise the experience and knowledge gained over the course through previous experience, and employ a range of transferable skills in communication, negotiation, analysis, project planning and project management.
The module includes lectures and workshops to support students to present an exhibition proposal, a working document that they will continue to develop, test and revise over the course of the year. A schedule of tutorials, supervision, technical input and workshops, as appropriate are available to enable students to realise their plans in the form of a Degree show exhibition at the end of the module.
The FA6006 Professional Practice 2: Fine Art module serves and sustains an award on the BA Fine Art course only, delivered in a seamless and integral relationship with the work of other core studio practice modules on Level 6. Students are expected to investigate and develop critical and aesthetic working relationships between and across the Level 6 modules.
The module aims to let students show they have acquired coherent and detailed knowledge of specific fine art skills in curating and exhibition display and are able to deploy critical thinking with accuracy in developing and obtaining a wider, non-specialist audience from outside the art school for their artwork, as shown in both physical and virtual spaces.
In mastery of the organisation of tools, equipment, materials, space and human resources for an art exhibition in a public space, one of this module’s objectives is to enable students to develop key transferable skills in negotiation of individual presence in a group environment and in creation, adaptation and acceptance of group ethics in a shared space.
The module also aims to provide students with work-related learning about social media platforms and websites to develop wider public and new art audiences, with a view to creating and updating a sustainable legacy of art career assets to aid employability.
"This is an enjoyable and rewarding course which provides exciting engagement with current art practice. It allowed me to develop my own approach to the discipline of painting, equipping me with both discipline-specific skills and a range of transferable ones, too. It provided me with the experience and confidence to go on to my MA."
Elizabeth Vicar, Fine Art graduate
“I am really grateful for all of the support and encouragement provided at The Cass and to have had such an enriching education. Having tutors like Patrick Ward, Mel, Jonathan, Galia and Ben Cain was amazing and the critical direction they provided and professional relationships we had were unlike any of the ones my friends at other London art schools have had. I think working in studios was one of the best aspects of studying at The Cass and I really benefited from learning in this environment.”
Grace Radford, Fine Art graduate
Many organisations value a Fine Art graduate’s creativity very highly, and you’ll be joining The Cass’s proud list of students, which includes famous artists such as Tracey Emin, Sam Taylor-Wood, John Cecil Stephenson and Professor Gerard Hemsworth.
There are a wide range of job opportunities as artists, curators, art critics and art journalists, as previous graduates will testify. Others have gone on to become artists' assistants, art technicians, gallery administrators, art event organisers, marketers, auctioneers, print technicians, photographers, video producers and studio managers.
Alternative career paths include arts officers for local government, art teachers, art tutors and lecturers. Some graduates have even pursued rewarding roles as art therapists, working in hospitals, day care, rehabilitation, prisons and the probation service.
There’s also the chance that your work may one day be displayed alongside our past students. Organisations that host work by our graduates include the Tate Modern, Tate Britain, Venice Biennale, ICA, Henry Moore Foundation, Yorkshire Sculpture Park, The Department for Culture, Media and Sport, Museum of Modern Art, Guggenheim, Art Basel, Frieze, Parkett, Artforum, The English Arts Council and the Pompidou Centre.
Please note, in addition to the tuition fee there may be additional costs for things like equipment, materials, printing, textbooks, trips or professional body fees.
Additionally, there may be other activities that are not formally part of your course and not required to complete your course, but which you may find helpful (for example, optional field trips). The costs of these are additional to your tuition fee and the fees set out above and will be notified when the activity is being arranged.
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Apply to us for September 2019
Applying for a full-time undergraduate degree starting this September is quick and easy – simply call our Clearing hotline on or complete our online Clearing application form.
If you're a UK/EU applicant applying for full-time study you must apply via UCAS unless otherwise specified.
Non-EU applicants looking to study part-time should apply direct to the University. If you require a Tier 4 (General) student visa, please be aware that you will not be able to study as a part-time student at undergraduate level.
All applicants applying to begin a course starting in January must apply direct to the University.
The University and Colleges Admissions Service (UCAS) accepts applications for full-time courses starting in September from one year before the start of the course. Our UCAS institution code is L68.
If you will be applying direct to the University you are advised to apply as early as possible as we will only be able to consider your application if there are places available on the course.
Please select when you would like to start:
16-20 July 2019
Exhibition of work by the late David Skingle, artist and former Head of Printmaking at The Cass, opens in Gloucestershire
Applications open for a unique international summer workshop in Italy, co-organised by lecturers from The Cass.
Cass postgraduate alumna is Assistant Curator on Golden Lion winning Lithuanian Pavilion.
Cass foundation alumni selected for edition 12 of the prestigious Curators’ series.
Students from The Sir John Cass School of Art, Architecture and Design showcase their talent with a season of summer events.
29 April 2019, 6pm
Cass hosts in conversation event for Association of Photographers (AOP).
Various dates and locations in East London
A series of pop-up exhibitions curated by first year Fine Art students.
Work by Cass Fine Art graduate Nye Thompson exhibited at The Barbican Centre and Waterman's Arts
25 March, 6pm-8pm
Cass partners Association of Photographers (AOP) for an event as part of their 50th Birthday celebrations.
1-21 March 2019
Exhibition by eight artists who also teach at The Sir John Cass School of Art, Architecture and Design
11-16 December 2018
Cass lecturer Jacek Ludwig Scarso leads participatory experience at Tate Modern reflecting on the meaning of waiting.
13th December, 5pm-8pm
Festive fine art open studio at Aldgate Bauhaus promises a feast of student creativity