(Re)Making: Craft-Design and Women’s Empowerment in the Global South

Hosted by London Met's School of Art, Architecture and Design (AAD) through our research centres CREATURE and CUBE, this symposium considered craft as a tool for economic empowerment.

Around the world, women’s craft-design groups operate quietly but effectively across many areas of making from ceramics and textiles to beadwork and basketry. Often established as co-operatives, and acting as not-for-profit providers for upskilling, income provision, empowerment and sustainability, women’s handicraft groups play a vital role in numerous urban communities globally. Yet women’s designer-maker groups, particularly those of low-income areas of the global South (or global majority), have still to receive significant attention from design historians. We argued that this results in a dual inequality; the present limited recognition of such enterprises by the academic discipline compounding the often marginalised economic, social and visual-cultural spheres that women’s craft initiatives occupy as organisations.

Seeking to redress this imbalance, we wanted to posit women’s craft-design as offering an alternative to western / global Northern, capitalist modes of production; remaking approaches and understandings of products as well as designed artefacts themselves.

We acknowledge that this event was supported by UCA: University of the Creative Arts and the Design History Society.

Speakers

Catalina Lucía Agudin
Doctoral candidate, Walter Benjamin Kolleg, University of Bern Vital Weaves between Crafts and Design. Collaborative Experiences from the Global South

Rukmini Chaturvedi 
Independent Researcher London and New Delhi, Multiplying the Divide – the Bridge to Nowhere: Hierarchies and Gender
 
Georgina Gluzman
Assistant Professor of Art History and Gender Studies, Universidad de San Andrés, Buenos Aires Why Not Indigenous Today? Mónica Millán’s and the Ethics of Ao po'i
 

Eve Grinstead
Doctoral candidate, Institut d’histoire moderne et contemporaine, École Normale Superieure, Paris,  Women weaving their way in the newly formed United Arab Emirates

Yen Lin Kong
Assistant Curator (Design), National Museum of Singapore Rewriting tradition: Women and the embodiment of knowledge in Singaporean woodcraft, 1950s – '80s

Gizem Öz
Assistant Professor Industrial Design, Kadir Has University, Turkey, Learning from a Communal Weaving Practice as a Source of Design Knowledge

Harriet McKay
Senior Lecturer, School of Art, Architecture and Design, London Met University, Cooking as craft and urban empowerment in Marrakech, Cape Town and Kigali

Swapnesh Samaiya
Independent Researcher & Doon University, Dehradun, India, Crafting Change: Creation of Identity and Community in Ringaal Weaving in Uttarakhand through Skilling Interventions
 

Chairs

James Hunting
C
ourse Leader, Fashion Textiles, School of Art, Architecture and Design, London Metropolitan University

James is a practising artist and educator who believes that creative identities are formed by understanding, investigating and owning techniques and processes. His work explores personal identities, recognition, the 'other' and desire.

Anne Massey
Professorial Fellow, Canterbury School of Architecture and Design, University for the Creative Arts

Anne is the author of Women in Design (Thames & Hudson, 2022) and has pursued the questioning of hierarchies within and beyond design throughout her career as a teacher, researcher and writer.

Jessica Kelly
S
enior Lecturer, Critical and Contextual Studies, School of Art, Architecture and Design, London Metropolitan University

Jessica’s research explores architectural history beyond buildings. Her book, No More Giants: J.M. Richards, modernism and The Architectural Review (Manchester University Press, 2022), looked at the work of the architectural critic and magazine editor J.M. Richards. She also co-edited Reconstruction: architecture, society and the aftermath of the First World War, (Bloomsbury, 2023) with Neal Shasore. She produces and co-hosts the podcast ‘Architecture and…’ for the Society of Architectural Historians of Great Britain.

Harriet McKay

Harriet McKay has taught in the Department of Design, Royal College of Art, and on the Heritage Studies and Museology MA programmes at the School of World Art Studies, University of East Anglia. Harriet has retained a keen interest in the material and visual dimensions of culture across the African continent. Working in the Design subject area at the School of Art, Architecture and Design, London Metropolitan University, she is a member of research centre CUBE.

Women engage in discussion

Photo: Women Engage in Discussion, Adorned by Ringaal Weaving Artefacts in Tangri Village, Uttarakhand, India, Kirti Kumari, May 2023

Details

Date/time

Wednesday 27 March 2024, 10am-2pm 

Location Online via Teams
Tickets Event ended

 

(Re)Making - Conference Schedule

10:00 – 10:10 GMT Introductions

Prof. Anne Massey – Co -convenor

Prof. Matthew Barac – Head of Centre for the Built Environment and Built Ecologies 

10:10-11:10

FOOD & FURNITURE – CHAIRED BY JESSICA KELLY

1. Cooking as Craft and Women’s Empowerment in Cape Town, Marrakech, and Kigali  

 Harriet McKay – London Metropolitan University, UK 

2Multiplying the Divide: The Bridge to Nowhere  

Rukmini Chaturverdi – Independent Researcher, London & New Delhi, India 

3. Rewriting tradition: Women and the embodiment of knowledge in Singaporean woodcraft, 1950s-‘80s

Yen Lin Kong – National Museum of Singapore

Questions 10:55 – 11:10

 11:15 - 12:00

 ARTISANAL & CRAFT PRACTICES – CHAIRED BY ANNE MASSEY

 1. Crafting Change: Creation of Identity and Community in Ringaal Weaving in Uttarakhand through Skilling Interventions

 Swapnesh Samaiya – Independent Researcher & Doon University, Dehradan, India

 2. Vital Weaves between Crafts and Design. Collaborative Experiences from the Global South 11:30 – 11:45

 Catalina Agudin – University of Bern, Switzerland

 Questions

12:05 – 1:10

TEXTILE PRODUCTION – CHAIRED BY JAMES HUNTING

1. Why Not Indigenous Today? Mónica Millán’s and the Ethics of Ao po'i  

Georgina Gluzman – Universidad de San Andrés, Buenos Aries

2. Learning from a Communal Weaving Practice as a Source of Design Knowledge 5

Gizem Öz - Kadir Has University, Turkey

3. Women weaving their way in the newly formed United Arab Emirates

 Eve Grinstead - École Normale Superieure, Paris

 Questions 12:50 – 1:10

Closing remarks 1:10

Conference ends 1:20

AAD Sessions

 
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