Studio 2 will continue to explore the potential of contemporary rural landscape. Working with the notions of the assemblage, incrementalism and infrastructure, we will look for small adjustments and architectural strategies that accept absence and slackness as a critical alternative to regeneration through completeness.
Portugal is a mosaic of landscapes, partly the result of climatic conditions but also as a result of human activities, particularly agriculture and industry. We will speculate on the impacts of various sectors on the landscape, the consequences of which can be found not only in the physical environment but also in the daily lives of people. Regeneration, whether in rural or urban locations, is a provocative debate. In rural locations, timeframes, economics, land pressures, social and spatial organisation are different, but it's these factors that offer a frame of reference to consider new forms of settlement, one that finds a balance between an existing context and twenty-first century infrastructure.
In November the studio will travel to Portugal. We will visit Oporto, Lisbon, Evora and finally, Moura where we will undertake field work and where your projects will be sited for the remainder of the year.
Students are invited to consider assemblage as a form of map making and as a conceptual framework for proposals. The process of mapping, which includes reviewing through collaborative workshops, is on an equal footing to the artefacts made. In a sense, you will construct (pre-field trip) and reconstruct (post-field trip) the site in the studio, and as a group you will derive new insight into the location. This process will lead to your individual design proposals which will explore new spaces in relation to a wider and shared landscape.
You will develop your own techniques in making, capturing the qualities of a particular location. Through modelling, sketching, montage and writing you will begin to be propositional. We encourage you to be more deliberate and conscious in this creative act, drawing out architectural interventions that offer something special to the locations you have been recording. With ideas and ways of working gathered from investigations in the landscape of Alentejo, you are encouraged to develop strategies of conglomeration and projects that allow for spaces to deliberately conflict and converge; propositions that have the capacity to absorb additions, creating a social architecture with the potential for activities to take place within and around a building. We promote an idea of intensity of activity and mixture of use heightening an ‘urban’ experience rather than singular, specific programme. These uses are likely to change over time and therefore tolerance should be designed into the architecture.
Studio 2 will continue its collaboration with Berlin-based research organisation, The Leibniz Institute for Research on Space and Society, and the Technische Universität Berlin (TU Berlin) and work undertaken in the studio will contribute to the EU Horizon 2020 research programme. We will also continue to build on our relationship with Unit H at UEL, with the two studios working closely and collaboratively.
Image: Kevin Adorni – Studio 2 Exhibition 2018
|When||Tuesday and Friday|
Studio 01: Generosity
Alex Bank and Sam Casswell
Studio 1 will explore the potential of generosity in architecture. Generosity comes from the design of real things simply expressed; the interrelation of exterior / interior spaces; the gesture of a building; structure / construction; proportions, materials, textures, colours. Practicing these fundamental aspects of architecture will require effort, intellect, humour and a good eye. We will investigate how architecture can bring a lasting sense of delight and pleasure to sites in central London.
Studio 02: After City 2 – Tolerance and Compromise
Colin O’Sullivan and Charlotte Harris
Studio 02 will continue its explorations of European rural settlements, this year in Alentejo, Portugal.
Studio 03: Crossing Cultures Industrious Edgelands: a productive threshold between town and country
Sandra Denicke-Polcher and Jane McAllister
The studio offers students to be part of a larger research group and develop architecture proposals and strategies for the depopulated mountain village, Belmonte Calabro, in Southern Italy. Working with local stakeholders, migrants and graduates, Studio 3 proposes an “Industrious Edgeland” to re-animate the town of Belmonte; preforming as an inhabited live-work threshold and engaging the surrounding landscape with the civic town centre.
Studio 04: Frame and Horizon
Anna Ludwig and Rufus Willis
Studio 4 will consider the topography of London’s city wall and how, through the good governance of urban institutions, sanctuaries in the city can be created to provide support and opportunities for its citizens. Our speculations, informed by two closely related representational conceptions: Frame and Horizon, will assert a public realm in which edge conditions become borders for exchange not boundaries of separation.
Studio 06: The Experimental House
James Payne and David Leech
"While it is true that concentrating on the individual house is socially irresponsible...the little house should not be scorned." Denise Scott Brown and Robert Venturi, Some Houses of Ill-Repute, essay 1971.
Studio 07: Looking Outwards
Robert Barnes and Dr Bo Tang
Studio 07 offers students the opportunity to engage in a transitional setting in Europe; a migrant gateway for refugees in Eleonas, Athens, Greece.
Studio 09: The Foundation: Private Realms, Public Rooms
Jillian Jones, Ewan Stone with David Howarth
Studio 09 are interested in how buildings engage with the public life of the city. We will be working in London and Venice, examining the evolution of domestic architecture from places of living to spaces for exhibition and display.
Studio 10: Both Directions at Once: Architecture After Brexit
Kieran Thomas Wardle and Owain Williams
What will be the Architecture of Brexit? How can the way we build represent a democracy pulling in both directions at once? A flawed memory of the past and an imagined future are the basis of many voter’s reasoning for voting in the 2016 EU referendum. We will be visiting historic buildings around the UK to reimagine defunct architectures to offer a commentary on the divergent identities emerging across the UK, looking to the past to say something surprising about the future.