What happens when language interacts with space? What kind of a medium can writing be? What kind of things are words? How do words behave in spaces? How can a practitioner write 'with' their work? What is language, anyway? What is a question mark, and what does a question mark?
This Dissertation Studio revolves around questions such as these. The first seven weeks of programmed teaching will involve visits and study sessions reflecting on the role words play in the visual world, in performative space and in the urban environment. On words inside and outside of writing. These visits are aimed to stimulate conversation and critical discussion within the group. There will be a screening of key experimental films, but otherwise these sessions will take place away from The Cass building.
Any dissertation topic will gain something vital and subtle from paying attention to writing as a medium, and to the forms of language that belong to the topic's subject matter. The studio should also be especially relevant to students (from any subject area/discipline) interested in the following notions:
- writing per se
- writing as a medium
- 'art writing'
- the display of text
- typography and the transmission of language
- the language carried by buildings and the idea of writing and reading the built environment
- the role language plays in performance
- the 'practice of theory'
- text as a form of illustration
- interdisciplinary discourse
- the encyclopaedic
Prepare a short, very open 10 minute presentation about the dissertation's initial ideas for the first group meeting. This can take any form; a powerpoint, a narrative, a diagram, etc.
- Maurice Blanchot, The Space of Literature, trans. by Ann Smock (Nebraska: University Nebraska Press, 1989)
- Pierre Cabanne, Dialogues with Marcel Duchamp, trans. by Ron Padgett (Boston: Da Capo, 1979)
- Don DeLillo, The Body Artist (New York: Scribner, 2001)
- Charles Harrison, Essays on Art and Language (Cambridge: MIT Press, 1991)
- Orhan Pamuk, The New Life, trans. by Güneli Gün (New York: Farrar, Straus and Giroux, 1998)
Studio 1: Excavating the Present. Interpreting contemporary culture - image / text & sound
Matthew [Caley] Hobson
Studio 13: Making in London
Headlined by Jane Clossick (main tutor), with special guest appearances from head of Cass Cities, Professor Mark Brearley