‘A common thread’ as the title and theme of this studio has a dual meaning, and functions as a way into looking at a ‘material’ that is so intrinsic to our everyday life, that it has become overlooked because of its ubiquity. However, the many references in our language, ‘a stitch in time’, ‘fabric of society’, ‘spin a story’, indicate how deeply rooted the history and use of textiles is in our culture and history.
The studio will explore aspects of how we interact with textiles. Firstly by looking at the textile industry in design, trade, history, architecture, and issues involving sustainability and ethical use.
Secondly, we will use the textile metaphor to weave an argument, follow a thread through, stitch together, and patch the pieces into a dissertation.
In the Greek myth, Theseus escaped the Minotaur by leaving a thread, given to him by Ariadne, through the maze, so he could find his way back out. This is an example not only of how we might underestimate the strength and power of an everyday object, but also of how deeply embedded into our culture are the links with textiles.
- Read the Greek myths
- Visit the El Anatsui Bottle-top Textile in the British Museum
- Photograph six textiles that have either emotional meaning for you/are used in an usual context/used in a building or with a non-aesthetic function
Outline the first seven weeks of study
The first seven weeks will be looking at the way in which we use and interact with textiles, looking at practicalities, concept and context. This over view, applicable to all course disciplines, will involve lectures, visits and tutorials. We will be using case study examples to demonstrate different methodologies to suit both textile students and those from all other areas.
- Materials library
- Archive visit
- Dissertation planning, presentation
- Sarah E. Braddock Clarke, Techno Textiles 2: Revolutionary Fabrics for Fashion and Design, London: Thames and Hudson, 2005
- Kate Fletcher, Sustainable fashion and textiles: design journeys, Routledge, 2014
- Bradley Quinn, Textile visionaries: innovation and sustainability in textile design, Laurence King, 2013
- Thomas Schröpfer, Material design: informing architecture by materiality, Birkhäuser, 2011
- Robert Graves, The Greek Myths, Penguin, 1992
Studio 1: Excavating the Present. Interpreting contemporary culture - image / text & sound
Matthew [Caley] Hobson
Studio 13: Making in London
Headlined by Jane Clossick (main tutor), with special guest appearances from head of Cass Cities, Professor Mark Brearley