Studio 8: Pleasure, Excess and Dirt
West Side Story (dir. Jerome Robbins, 1961).
Why do certain objects, practices and people appear to have a right place? What happens when they are discovered outside it? This studio will explore ideas of category, definition, identification and belonging through examination of a series of objects and behaviours that appear to be in the wrong place. We will investigate the pleasurable, surreal and disturbing effects of subverting categorisation and the methods various writers and artists have used to do so.
You'll investigate the pleasurable, surreal and disturbing effects of subverting categorisation and the methods various writers and artists have used to do so. We'll also focus on the place of the home and things that have apparently strayed from it, such as sleep, sex, washing, women.
The studio sessions will address the following questions: What can the experiences of agoraphobes teach us about routine, ritual and classification? What makes certain objects dirty and others clean? What makes a building ugly? What does it mean to feel you are in the wrong place, the wrong skin, the wrong sex?
You'll encounter tights, beds, handbags, toothpaste and tomato puree, take part in collaborative reading and writing and be supported in the development of original written dissertations.
Weeks 1-7: gallery visit and reading list
- Gallery visit to Louise Bourgeois’ Artists Rooms, Tate Modern.
- Claire Louise Bennett, Pond. Samuel Beckett, Happy Days.
- Mary Douglas, Purity and Danger.
- Vincent, ‘Confessions of an agoraphobic victim’. Paul Carter, Repressed Spaces.
- George Lakoff, Women, Fire and Dangerous Things. Holly Pester, Go to reception and ask for Sara in red felt tip.
- Roland Barthes, ‘Paris Not Flooded’. Mark Cousins, ‘The Ugly’, AA Files.
- Elin Diamond, ‘Rethinking Identification’, The Kenyon Review. Franz Fanon, ‘The Fact of Blackness’.
Image. West Side Story (dir. Jerome Robbins, 1961).
Studio 1: Another India will examine, reflect upon and critique the historic use of "exotic" motifs in design.
Studio 3: Music is the Weapon: Performance, Culture and the Music Industry is an exploration of race, gender, class and more in music.
Studio 4: What Not to Wear? will investigate the roles that dress and fashion play in our workplaces.
Studio 5: Imperfect Theories allows you to critically examine any work that can be seen as theory or presents an interesting relationship with theory.
Nico de Oliveira
Studio 6: Curating Contemporary Art examines the impact of curatorial practice on art.
Dr Lesley Stevenson
Studio 7: Fashioning culture will examine critically the links between fashion, clothing and identity.
Studio 8 explores ideas of category, definition, identification and belonging through the examination of a series of objects and behaviours that appear to be in the wrong place instead of the right place.
Studio 9: The Continuing Lives of Objects uses debates about change and preservation explore ideas within architecture.
Studio 10: Critical Theory and Critical Design. Artefacts, Images, Sites, Processes in Graphics and Illustration
Dipti Bhagat with Christopher Emmett
Studio 10 requires deep commitment and completion of critical theory and design for graphic design and illustration.
Studio 12: London Walking looks at walking as a mode of creatively appropriating the city, with particular attention to our own city, London.
Dr John Cross
Studio 14: 'All in the best possible Taste' examines the historical influencers of taste, style and fashion.
Studio 15: Music, Technology and Ideas encourages you to explore how and why we make music, including its origin, relationship to technology and more.
Studio 16: Narrative and Storytelling will see you produce storygraphs, storyboards and various forms of narrative analysis in the seminars.
Studio 17: Knowing Audiences will encourage you to study an audience group using qualitative research methods in your investigations.
Studio 19: Material in Motion will explore why an audience will put time, money and thought into acquiring an object.
Dr Nick Haeffner
Studio 20: Image ethics: Form, meaning and context explores the aesthetics of the image and its role within fantasy, desire and social memory.
Studio 21: The Nonsensical Realm is a cross-disciplinary studio. This year it will engage with the idea of metaphor in art, architecture, design and music.
Studio 22: Meaningful work explores the value of making and the idea of craft as meaningful work.
Studio 23: A Common Thread examines the relationship between textiles and everyday life, including its design, trade, sustainability and more.
Studio 24: Words in Space reflects on the role that words play in our visual world, performative spaces and the urban environment.